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		<pubDate>Wed, 27 Sep 2023 13:04:27 +0000</pubDate>

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Ghost Platform: Generating the “Complex Image” of Data, Labour, and Logistics




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Artistic research project funded by the Swedish Research Council (Vetenskapsrådet, 2022-2025)&#38;nbsp;
Hosted by the Institute for Futures Studies, Stockholm. 
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Det är ju alltid ett jättejobb att hålla ihop ett kollektiv

 / Glass Port


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GIBCA 2021, Göteborg
Images credit: Henrik Zeilter / graphic recording of screening event by Layla van der Oord



Projects in collaboration with Swedish Dockworkers’ Union.
Video works “Glass Port” (5 mins), “Det är ju alltid ett jättejobb att hålla ihop ett kollektiv” (43min). 
Shown in Gothenburg International Biennial of Contemporary Art (GIBCA), curated by Lisa Rosendahl.
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If time unfolds as change then space unfolds as interaction (after Doreen Massey)&#38;nbsp;

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Collaboration with Amy Boulton, 2022


Images credit: Badou Jobe


Public commission with Amy
Boulton, map prints and temporary wall installation at Haga Västlänken construction site, Göteborg.&#38;nbsp;Produced as part of Kronotopia public art curatorial project (Skogen, Statens Konstråd, Göteborgs Konst).



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		<title>About</title>
				
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		<pubDate>Fri, 29 Sep 2023 09:21:03 +0000</pubDate>

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About





Benjamin Gerdes is an artist, writer, and organizer working in video, film, and related public formats, individually as well as collaboratively. He is interested in intersections of radical politics, knowledge production, and popular imagination. His work focuses on the affective and social consequences of economic and state regimes, investigating methods for art and cultural projects to contribute to social change. Gerdes’s projects emerge via multiple articulations from long-term research processes conducted in dialogue with activists,&#38;nbsp; trade unionists, architects, urbanists, geographers, and archival researchers.

Prior to coming to the Institute for Futures Studies, he was based at the Royal Institute in Stockholm, where he conducted research and led a professor group in fine art and moving image for 5 years.

Selected Representation: Centre Pompidou, Paris; Documenta, Kassel; National Gallery of Art, Washington DC; New Museum, New York; Rotterdam International Film Festival; Tate Modern, London, Venice Biennale of Architecture, Transmediale.Selected publications include the journals World Records, October, Public, and Rethinking Marxism, and contributions to the edited volumes Data Publics (Routledge) and Platform Urbanism and Its Discontents&#38;nbsp;(nai010),&#38;nbsp;Technoscene&#38;nbsp;(Postmedia), and&#38;nbsp;Dissident Practices: Posthumanist Approaches to Critiques of Political Economy&#38;nbsp;(Bloomsbury, forthcoming).






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Contact

Benjgerdes [at] gmail.com</description>
		
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